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'Silly String Redux' ![]() Bandcamp (purchase) CD Purchase Individual Song Breakdowns --------------------------------------------------------------------------------------------- About the album: 'Silly String Redux' is a remaking/reimagining of my 2015 EP ‘Silly String’, supplemented with a soundscape piece and the epic “Redux”. I re-tracked the drums for all six original tunes and enlisted Peter Ferry on orchestral percussion, Sophia Uddin on 7-string electric violin, and Rafael Trujillo on guitar to round out the lineup. The bass guitar tracks saw proper re-amping and I revamped the synth/VST production and added further sound design elements. “Redux” is based on a very similar experiment that I conducted for “35 Going on Infinity”—another extra-meaty tune that is on ‘Delectable Machinery’—and also includes Aaron Deal and Greg Greenberg. Credits 1. Lollygag (Clown Nose) 2. From Riches to Rags 3. Hold On 4. Big Dogs 5. Desensitization 6. Watchpork 7. Stentorian Echolalia 8. Redux (Part 1) 9. Redux (Part 2) 10. Redux (Part 3) 11. Redux (Part 4) 12. Redux (Part 5) · Travis Orbin - Drum set, Programming, Synthesizer, Voice · Greg Loman - Guitar & Bass on 1 · Evan Opitz - Guitar on 2 · Rafael Trujillo - Guitar on 3, 4 · Adam Edgemont - Guitar on 5 · Conner Green - Bass on 2-5 · Pete Peterson - Bass on 6 · Gabriel Riccio - Piano on 6 · Sophia Uddin - 7-String Electric Violin on 5, 8-12 · Peter Ferry - Marimba & Vibraphone on 1-4, 6, 8-12 · Aaron Deal - Synthesizer on 8-12 · Greg Greenberg - Bass on 8-12 · Music composed by Travis Orbin · Sound Design by Travis Orbin · Produced by Travis Orbin · Synth & VST Production by Travis Orbin · Piano & Harpsichord VST Production on 6 by Gabriel Riccio · Additional bass guitar arrangements on 2 by Conner Green · Synthesizer arrangement on 8-12 by Aaron Deal · Bass guitar arrangement on 8-12 by Greg Greenberg · “Redux” intro and outro composed by Travis Orbin · “Redux” marimba/vibraphone and 7-string electric violin parts by Peter Ferry and Sophia Uddin, and comped/edited/arranged by Travis Orbin · Drum editing and mixing by Travis Orbin of Woodshed Studios · Everyone engineered themselves and recorded at their respective home studios, except: · Guitar and Bass on 1 engineered by Gabriel Riccio at his home studio · Guitar on 2 engineered by Nick Nativo of The Nook · Marimba & Vibraphone on 1-4, 6, 8-12 engineered by Gabriel Riccio at Decade Music Studios · 7-string electric violin on 5, 8-12 engineered by Gabriel Riccio at his home studio · Guitar re-amping on 1, 2, and bass guitar re-amping on 1 by Gabriel Riccio · Bass guitar re-amping on 2-5, 8-12 by Anthony DiGiacomo of Deep Resonance Studio · Mixed by Travis Orbin · Mastered by Taylor Larson · Cover art by Travis Orbin Thank you to my fans, friends, associates, and family; especially my parents for their perpetual support and my neighbors for putting up with all of the racket. Also, thank you to my endorsements: Pearl Drums, Zildjian Cymbals, Remo drumheads, Vic Firth drumsticks, RTOM drum accessories, Vratim drum shoes, the Hi-Hat Razer, and E-Pad! Practice Pads. Cover Art Construction My idea stems from the art that adorns both EPs, except I wanted to make it more visceral. So, rather than layering my face onto the images with digital trickery, I actually sprayed a bunch of silly string on my head and threw ripped-up construction paper in the air and took multiple shots. I then blended the shots together in varying opacities and noodled with the color settings. 'Silly String Redux' Gear List: "Lollygag (Clown Nose)" · 12"/16" Reference Pure tom-toms with Remo Vintage Emperor coated batters/Emperor clear resonants · 6.5"x14" Reference brass snare drum with Controlled Sound X batter/Ambassador Hazy snare side · 20" Reference Pure bass drum with Remo Powerstroke III coated batter/Ebony Powerstroke III ported resonant Cymbals (from left to right, player's perspective): 20" K Heavy Ride, 19" K Dark Thin Crash, custom hats (14" K Constantinople bottom (top) / 14" K Custom High Definition bottom (bottom)), regular 'stack' (14"A Custom EFX / 16" FX Oriental China "Trash"), small 'stack' (8" FX Trashformer / 10" A Custom EFX), 13" A New Beat Hi-hats, 19" K Custom Hybrid Crash, 6" A Custom Splash (inverted atop 19" K Custom Hybrid Crash), 18" K Custom Special Dry China, 19" K China "From Riches to Rags" · same setup as "Lollygag (Clown Nose)", except sans 6" A Custom Splash "Hold On" · same setup as "Lollygag (Clown Nose)", except sans 6" A Custom Splash, and an 8" A Custom Splash instead of the regular 'stack' "Big Dogs" · same setup as "Hold On" "Desensitization" · same setup as "Hold On", except with a 16" A China High in the place of the 18" K Custom Special Dry China, and an 18" K Custom Special Dry China in the place of the 19" K China "Watchpork" · same setup as "Hold On" "Redux" Setup 1: · same drum setup as the rest of the tunes Cymbals (from left to right, player's perspective): 20" K Heavy Ride, 19" K Dark Thin Crash, custom hats (14" K Constantinople bottom (top) / 14" K Custom High Definition bottom (bottom)), triple 'stack' (8" FX Trashformer / 10" A Custom EFX / 14" A Custom EFX), 8" A Custom Splash, 13" A New Beat Hi-hats, 21" K Heavy Ride, 18" K Custom Special Dry China, 19" K China Setup 2: · 5"x14" Sensitone maple snare drum with Controlled Sound X batter/Ambassador Hazy snare side · 20" Reference Pure bass drum with Remo Powerstroke III coated batter (medium-tight'ish tuning)/Ebony Powerstroke III ported resonant (played with VicKick fleece-covered felt beater) Cymbals (from left to right, player's perspective): 15" K Light Hi-hats (with an LP Cyclops brass jingle tambourine sitting on top), 22" K Constantinople Renaissance Ride |
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