Here is a highly detailed equipment list:

- DRUMS -


Home studio kit
Pearl Drums Reference Pure, natural maple finish
8x12 rack tom
16x16 floor tom
16x20 bass drum

In addition, I also utilize:

8x10 rack tom
10x13 rack tom

Gigging/Alternate studio kit
Pearl Drums Vision Birch VBL, natural birch finish
8x12 rack tom or 14x14 floor tom
16x16 floor tom
18x20 bass drum

Snare drums
6.5x14 Pearl Drums Reference brass
4x14 Pearl Drums maple piccolo
8x14 Pearl Drums limited edition maple
6.5x14 Pearl Drums Sensitone Elite brass
5x14 Pearl Drums Sensitone maple
3x13 Pearl Drums brass piccolo

Nearly all of my snares feature die cast hoops and Puresound snare wires.

Cymbals
Zildjian Cymbals (Darkest Hour setup):
21" A Mega Bell Ride
19" A Custom Crash
14" A Custom Mastersound Hi-Hats
8" A Custom Splash
13" A Custom Mastersound Hi-Hats
18" A Custom Crash
18" A Custom China

Extended setup for sessions/projects:

6" FX Zil-Bel
6" A Custom Splash
11" FX Oriental "Trash" Splash
Small 'Stack': 8" FX Trashformer / 10" A Custom EFX
Regular 'Stack': 14" A Custom EFX / 16" FX Oriental China "Trash"
16" A China High
18" K Custom Special Dry China
19" K China
17" A Custom Crash
17" K Custom Hybrid Crash
18" K Dark Crash Thin
19" K Dark Crash Thin
19" K Custom Hybrid Crash
12" A Special Recording Hi-Hats
13" A New Beat Hi-Hats
Custom hi-hats: 14" K Constantinople bottom (top) / 14" K Custom High Definition bottom (bottom)
15" K Light Hi-Hats
20" K Custom Flat Top Ride
20" A Ping Ride
20" K Heavy Ride
21" K Heavy Ride
21" A Custom ReZo Ride
22" K Constantinople Renaissance Ride

Drumheads
I play Remo drumheads by choice, a rather strong preference of mine. This list -- especially -- evolves (be sure to peruse the video descriptions, as I commonly list specific heads), but these are some of my favorites:

tom-toms: clear or coated Vintage Emperor / clear Emperor
snare drums: Controlled Sound, Controlled Sound X, Black X / Ambassador snare-side
bass drums: usually coated Powerstroke III (with a double mini Falam Slam) but I've also used clear PS3 and coated Emperor / logo head or Powerstroke III Ebony (resonant head is usually ported and there's a bit of 'stuffing' inside of the drum)

I tune my drums depending on the genre of music that I'm recording. I try to match the pitch of each lug, and -- generally -- the overall tuning of both the batter and resonant heads for maximum resonance. I control said resonance with a sliver or two of Moon Gel on each drum.

Drumsticks
I play Vic Firth Ralph Hardimon SRH2 'Hammer' Corpsmaster drumsticks. I've also used Pro-Mark drumstick/mallet combos, Hot Rods, and Vic Firth Rutes and wire brushes for sessions. I also have a pair of hand-wrapped Adam Argullin mallets.

Bass Drum Pedals (specific settings, etc.)
I play the Pearl Eliminator Demon Drive P3002D double pedal in the longboard configuration. My spring tension is maxed out with the 'power' and 'heavy' settings engaged. I utilize Pearl QuadBeaters (either the plastic or felt side, depending on the music) and they rest about six inches from the head -- hitting close to the center of a 20" bass drum -- with the BW100 beater weights attached at the top of the shaft (only the main body, the black and silver add-on weights are left off).

Hardware
Pearl C1000 double-braced straight cymbal stands x4
Pearl BC2000 boom cymbal stand with CLH1000 body manually wedged into top portion (for 'stack' cymbal)
Pearl H2000 Eliminator hi-hat stand
Gibraltar 'No-Leg' hi-hat stand (attached to bass drum with Pearl HA100 clamp)
Pearl DCL300P hi-hat drop clutch x2
Pearl AX20 adapter clamp, TH2000S tom holder for rack tom
Pearl S2000/C snare drum stand
Pearl D2500 throne
Hi-hat Razer

Percussion
Pearl low clave block
Pearl 7"x13" Primero steel timbale
LP fiber maracas
LP Cuban style guiro
multiple small LP egg shakers
LP Soft Shake shaker
LP grenadilla wood clave
LP Cyclops jingle tambourine, brass
LP Vibra-Slap II Deluxe
LP Aspire 10" triangle

Practice Gear
E-Pad 12" practice pad
Gibraltar GBDP bass drum practice pad
Power Wrist Builders PWB28-795 solid brass practice sticks

Misc. Gear
Boss DB90 Dr. Beat
Vic Firth SIH1 headphones or Ultimate Ears 5 Pro with custom molds
Mackie 402VLZ3 mixer
Shure SM57 microphone x2
Vratim Drum Shoes

Camcorders
Blackmagic Design Cinema Camera with EF-S 10-18mm f/4.5-5.6 IS STM
Canon VIXIA HF11
Canon VIXIA HF11 with WD-H37II wide-converter lens
Canon 60D with EF 20mm f/2.8 USM lens
GoPro HERO3+ Silver



---------------------------------------------
- CURRENT HOME STUDIO RIG -


DAW/Interface: Pro Tools HD 10
Converters: Apogee Rosetta 800, Apogee Ensemble
Mac Tower 2.8 GHz Quad Core
Yamaha NS-10M monitors w/ KRK 10S subwoofer

Microphones:
Neumann TLM103 x2
Neumann KM 84 (vintage) x2
AKG C414 (vintage)
Audio-Technica ATM450
Shure SM81 x2
Shure BETA 98D/S mini condenser
Shure SM57 (modded by Paul Reed Smith)
Shure KSM32 x2
Shure SM7B
Lawson L47 FET

Outboard:
Chameleon Labs 7602 MKII preamp with X-Mod x2
Manley Pultec EQ x2
Trident 80B channel strip x2
Brent Averill 312 preamp (vintage) x2
API 550 EQ (vintage) x2
Vintech Audio X81 preamp x2
Vintech Audio 1272 two-channel preamp
Summit Audio Inc. DCL-200



A few isolated drum tracks (OLD MIXING TEMPLATE):

Adam Edgemont - "Velvet City"
(cranked brass snare, coated heads on toms, felt beaters on kick)




Pete Peterson - "Death Country"
(low-pitched/punchy toms and kick, high-pitched brass snare)




Marcus Shoults - "The Old Element"
(medium-pitched toms {coated heads}, 'mids-heavy' kick, piccolo snare)




Pete Peterson - "13 Days"
(low-pitched toms, worn coated heads with extra muffling,
felt beaters on kick with mic pulled back, cranked room mics,
deep snare w/ Black X head, 15" closed hats)




Nick Johnston - "Night Of The Living Dance"
(medium/high-pitched toms, coated bass drum head w/ felt beaters, piccolo snare, 18" ride)




We Play The Part - "Leave"
(low-pitched/punchy toms and kick, medium/low-pitched steel snare)








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